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AV InstituteAV Institute LLC
04Week 4 · 5–7 hours

DSP & Professional Audio

Digital signal processing, mics, and acoustic echo

Audio is where commercial AV gets technical. Understand digital audio and DSP fundamentals — sample rates, gain structure, dB and headroom — then microphones, routing, automixing, equalization, and acoustic echo cancellation. Finish with safe commissioning and tuning.

Key Competency

Design and safely commission a small-room audio DSP path.

AV Institute
AV Institute · Week 4DSP & Professional Audio
Lesson

Microphone Types, Placement, Balanced Connections & Phantom Power

Est. 55 minCompetency: Choose and place microphones and apply phantom power correctly.

Learning objectives

  • Distinguish condenser, dynamic, and ceiling-array microphones.
  • Place microphones for best intelligibility.
  • Use balanced connections for mic runs.
  • Apply phantom power correctly and safely.

Vocabulary

Condenser mic
A capacitor mic needing power (phantom); sensitive, common in commercial AV.
Dynamic mic
A moving-coil mic needing no power; robust, less sensitive.
Phantom power
48 V supplied over the audio pair to power a condenser mic.
Polar pattern
The directions a mic picks up (cardioid, omnidirectional, etc.).
Beamforming array
A multi-element ceiling mic that steers pickup toward the talker.

Lesson content

Microphone choice and placement drive the rest of the audio chain. The best DSP cannot fix a bad mic in the wrong place.

Mic types

  • Condenser — sensitive, needs phantom power; common for ceiling and tabletop in AV.
  • Dynamic — no power needed, handles loud sounds; common for handheld and some gooseneck.
  • Beamforming ceiling array — multiple elements that steer pickup; ideal for conferencing; needs power and DSP.

Placement

  1. 1Get the mic as close to the talker as the room allows (closer = better signal-to-noise).
  2. 2For ceiling arrays, follow the maker's spacing rules (e.g. one array per N seats).
  3. 3Avoid pointing mics at speakers to prevent feedback.
  4. 4Keep mics away from HVAC vents and noise sources.

Balanced connections and phantom power

  • Always run mics on balanced XLR for noise rejection over distance.
  • Condenser and array mics need 48 V phantom power; turn it on at the DSP/input.
  • Turn phantom on only when needed; do not hot-plug mics with phantom up.
Field caution

Dynamic mics do not need phantom and are usually unharmed by it, but do not assume — and never apply phantom to a device that cannot take it (some ribbon mics will fail). Confirm before energizing.

Worked example

A 10-person conference room: one ceiling beamforming array over the table (powered, 48 V phantom from the DSP) plus one gooseneck tabletop for the chair. All balanced XLR. Speakers are placed away from the mic pickup pattern to avoid feedback.

Implementation checklist

  • ✓Mic type matched to use and power needs.
  • ✓Mic close to talker; away from speakers and noise.
  • ✓Balanced XLR for all mic runs.
  • ✓Phantom on only for devices that need it.

Downloadable study guide

study-guide.txtcopy-paste ready
01. Condenser/array mics need phantom (48 V); dynamics do not.
02. Closer mic = better SNR; avoid pointing at speakers.
03. Balanced XLR for all mic runs.
04. Don't hot-plug under phantom; don't phantom devices that can't take it.