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AV InstituteAV Institute LLC
04Week 4 · 5–7 hours

DSP & Professional Audio

Digital signal processing, mics, and acoustic echo

Audio is where commercial AV gets technical. Understand digital audio and DSP fundamentals — sample rates, gain structure, dB and headroom — then microphones, routing, automixing, equalization, and acoustic echo cancellation. Finish with safe commissioning and tuning.

Key Competency

Design and safely commission a small-room audio DSP path.

AV Institute
AV Institute · Week 4DSP & Professional Audio
Lesson

Signal Routing, Mixers, Crosspoints, Automixers & Acoustic Echo Cancellation

Est. 60 minCompetency: Route audio, configure an automixer, and enable AEC correctly.

Learning objectives

  • Route audio with crosspoints and mixers in a DSP.
  • Configure an automixer for multiple mics.
  • Explain and enable acoustic echo cancellation.
  • Distinguish AEC from feedback suppression.

Vocabulary

Crosspoint
A routing switch in a matrix mixer: input × output.
Mixer
A block that sums selected inputs to an output.
Automixer
A mixer that auto-adjusts mic levels (gates NOMA) for talkers.
AEC
Acoustic echo cancellation — removes far-end audio heard by mics.
Reference signal
The signal an AEC uses to identify and remove echo.

Lesson content

A DSP routes audio with matrix mixers: each crosspoint connects an input to an output. For conferencing, you mix mics to the codec, return far-end audio to the room, and use AEC so the far end does not hear themselves back.

Routing and mixers

  • A matrix mixer has inputs on one axis and outputs on the other; each crosspoint is a gain.
  • Route mics → codec (send to far end); route far-end audio → speakers.
  • Send program audio (share content) to the codec so far end hears it.
Conferencing audio paths
Mics → AEC → Automix → Codec (TX)→
Codec (RX) → Speakers→
Content → Codec (TX)

Automixing

  • An automixer opens mics for active talkers and attenuates the rest.
  • It keeps the mix at a steady level as mics open/close (NOMA compensation).
  • Set thresholds and attack/release so it sounds natural, not choppy.

Acoustic echo cancellation (AEC)

  1. 1Far-end audio comes out the room speakers.
  2. 2The room mics pick that audio up and send it back — that is echo to the far end.
  3. 3The AEC compares the mic signal to a reference (the far-end signal) and subtracts the echo.
  4. 4Each mic channel needs its own AEC and the correct reference.
AEC vs feedback

AEC removes echo returning to the far end in a call. Feedback suppression tames local howl (room feedback). They are different problems with different tools; both may appear in a conferencing room.

Field caution

AEC needs the right reference signal and enough headroom to converge. Feed it a clean reference, do not overdrive the room speakers, and allow convergence time before judging the result.

Worked example

Four ceiling mics each through their own AEC (reference = far-end RX), summed by an automixer, sent to the codec transmit. Far-end receive goes to the ceiling speakers. A test call confirms the far end hears no echo and the local talkers are clear.

Implementation checklist

  • ✓Matrix crosspoints route mics→codec, far-end→speakers, content→codec.
  • ✓Automixer configured with sensible thresholds.
  • ✓Each mic has its own AEC with the correct reference.
  • ✓Room level set so AEC can converge.

Downloadable study guide

study-guide.txtcopy-paste ready
01. Matrix mixer = input×output crosspoints; route mics→codec TX, RX→speakers.
02. Automixer opens active mics, keeps level steady (NOMA).
03. AEC subtracts far-end echo using a reference; one AEC per mic.
04. AEC ≠ feedback suppression; both may be present.